Gyo, arguably his most famous work, revolves around a young couple who are assaulted by a horde of homicidal fish monsters with mechanical spider legs. Klavier Gavin is a veteran prosecutor, and the younger brother of Apollo Justice's former mentor, Kristoph Gavin. My Goddess: The Movie is the very rare example of a film based on an existing anime/manga franchise that’s superior to the original source material. Instead, the film’s great debt is to European painters like Gustav Klimt, Degas and Kandinsky, among others. One of Kon’s signature motifs as a director is the mutability of reality and fantasy, exploring how the two constantly dovetai into one another, creating works that speak to the multiplicity of the human experience. Though far from the first anime to be exclusively produced in this format and released just three years after the critical and commercial windfall of Square Enix’s Final Fantasy: The Spirits Within, Appleseed was quintessential in proving the vitality and convenience of using CGI in anime production when put in the right hands. And the film’s central theme, the question of what do the pursuit of science and industry owe to the whole of humanity, comes across as at best muddled and at worst disappointingly simplistic. The Pokemon Company is teaming up with Post Malone for a virtual Pokemon Day concert. 380.5k Followers, 639 Following, 412 Posts - See Instagram photos and videos from Matthieu Delormeau (@mdelormeau) Although the cast of characters and voice actors are the same as those that appear in the TV series, and the plot covers much of the same ground, within the canon of the Macross universe, Do You Remember Love? introduced the trope of a lovable and mischievous sidekick character that would later become a constant throughout some of the studio’s best known works. As with all things Macross, the two pilots are a part of a love triangle with a woman from their childhood, who is now the producer of Sharon Apple, the most famous singer in the galaxy (actually an Artificial Intelligence). Akin to Takahata’s Grave of the Fireflies, Giovanni’s Island is an affirming if tragic story of the resilience of a family living through the end of a World War, but it’s also something all its own. In the midst of this bottleneck of international tension and unsuspecting revelry, a mysterious transfer student named Saya has come to the school on a mission: to hunt down and kill a trio of terrifying creatures who prey on the blood and bodies of their human prey. Blood: The Last Vampire is significant for many reasons. Whatever your palate as anime film-goer, Memories is not to be missed. Set in the aftermath of World War II, the film follows the stories of Junpei and Kanta, two young boys whose home island of Shikotan is quickly occupied by Soviet allied forces in the wake of Japan’s surrender. A Silent Voice, adapted from Yoshitoki Oima’s manga of the same name, is a prime example of all these sensibilities at play. Fans of the series passionately criticized the film for relieving Lupin of his anarchic predilections and instead casting him in the mold of a true gentleman thief, stealing only when his nebulous sense of honor permits it. In this scene, Shirotsugh makes his way to Riquinni’s house and comes close to raping her before realizing the horrible thing he is about to do, and stopping himself. To describe the sum of their tragedies as “horrifying” feels like a gross understatement. It touches on all of Shinkai’s major themes and emotional beats (“lonely sadness,” ennui, romantic melancholy) and wrapping his aesthetic sentimentality in a strong sci-fi fantasy drama that gives those beats heft and a satisfying course of resolution. Macross Plus, like all things Macross, has a complex history in the United States. Regardless, Char’s Counterattack remains a key moment in the Gundam universe, one still worth checking out almost 30 years later. Unfortunately, Okamoto would pass away that year from liver cancer and the film was later finished by his close friend and fellow animator Kihachiro Kawamoto. Where in his previous films, Oshii only flirted with political commentary that was otherwise relegated to the margins of more standard pop-action plotlines, Patlabor 2 is a full-on political thriller that’s low on giant robot showdowns and heavy on ambiance, emotion and careful pacing. Written and storyboarded by Mamoru Oshii, Jin-Roh: The Wolf Brigade is Hiroyuki Okiura’s feature film debut and the third and final installment in Oshii’s Kerberos trilogy. Go, Panda! Where Golgo charms is in the glorious, fluid animation, the sophisticated cinematic techniques used by Dezaki (including very early usage of CGI), and the tense and incredibly violent action sequences. After leaving Studio Pierott and striking out on his own as a freelancer on a few projects, Oshii would join the independent creative collective Headgear and become a major influence in shaping the aesthetic of their first project, Mobile Police Patlabor. Years later, Shoya meets Shoko once again, now as teenagers, and attempts to make amends for the harm he inflicted on her, all while wrestling to understand his own motivations for doing so. With great visuals, solid action, an infectious techno soundtrack courtesy of Japanese electronic duo Boom Boom Satellites, and a serviceable if clichéd plot, Appleseed remains a significant touchstone in the history of early-aught animation and, on top of that, a pretty entertaining watch to boot. Set between the early ’90s and late aughts, 5 Centimeters Per Second ingenuously uses the absence and later ubiquity of modern communication technology to tell a story of mixed connections and emotional resonance. The tale is brutal, but the beauty in which it’s told means we can’t look away. This is a hard one to track down, as it’s mostly out of print in the United States, but if you can clap eyes on a copy, you won’t be disappointed. The essentialness of Nausicaä of the Valley of the Wind’s placement within the greater canon of animated film, Japanese or otherwise, cannot be overstated. Despite its unrelenting darkness, End of Evangelion remains true to the ethos of its subtitle, that the joy of death is in the act of rebirth. And will the Major ever truly return? fingerless gloves 136056? One such case is Roujin-Z, a pitch-black satire of the Japanese health care industry and military industrial complex. Her life is then turned upside down as the cat’s father, the king of cats, showers her in bizarre tokens of gratitude and orders her betrothal to his son as “reward” for her kindness. Forget trying to make this one more palatable for Western sensibilities, Pom Poko doubles down on the qualities that identify it as Japanese film and brandishes them proudly for all to see. The story is threadbare, no doubt, but as a film that triumphantly pays off its protracted gestation period with a product that’s this unabashedly impressive and downright cool, Redline squarely fits into the select number of anime films that one just has to see before they die. Set three years after the events of Ghost in the Shell and the disappearance of Major Motoko Kusanagi, Innocence follows Batou, the Major’s former partner and acting field commander of Public Security Section 9. Reportedly costing $4 million to produce, Interstella 5555 transformed an album that many thought to be absent of any hint of story and transformed into a grandiose EDM space opera rock odyssey centered on the perilous kidnapping and subsequent rescue of a blue-skinned alien rock band from the nefarious clutches of a label executive bent on galactic domination. A film that is in no uncertain terms a conclusion, if not to Miyazaki’s venerable career as one of the undisputed patriarchs of modern Japanese animation, then a thematic coda that ties together an elegant knot at the end of his venerated and storied career as a director. Only Otomo would decide to house a trenchant social commentary about Japan’s discarding of its elderly inside a robot-gone-amok satire of government bureaucracy and greed. Much like his contemporary Mamoru Hosoda, Makoto Shinkai is a director who is frequently championed as the “new” Hayao Miyazaki in the conversation surrounding who will succeed him as his heir apparent. Perhaps one reason why The Wings of Honnêamise is rarely spoken of as a masterpiece these days is the widespread critical rejection of one particular scene, which (rightfully) has sharply divided audiences over the years. A multimedia project consisting of four animated shorts plus one videogame, each representing a different period in Japan’s history, Short Peace is a delightful grab bag. Set in 1958, the film follows university professor Tatsuo Kusakabe and his daughters Satsuki and Mei as they move into an old house along the countryside in order to be closer to their mother, who is recovering from a long illness. Avant-garde. The most singular of the bunch is “Possessions,” was nominated for an Oscar, and it’s easy to see why. Porco’s mournfulness and survivor’s guilt permeate everything he does, and his resignation at his transformed state stunts his growth in other areas, making him a particularly sad protagonist. Macross Plus take place 30 years after the war between the humans and the alien Zentradis, detailed in the original show, and instead focuses on two rival test pilots (and former childhood friends) and their struggle to be the first to secure funding for a new, experimental fighter that would replace the current model. Director: Taiji Yabushita, Kazuhiko Okabe. Most of these shorts break not only from traditional narrative, but also from traditional anime art style and animation techniques. Adapted from Masamune Shirow’s original 1989 manga, the film is set in the mid-21st century, a world populated by cyborgs in artificial prosthetic bodies, in the fictional Japanese metropolis of Niihama. When Ghost in the Shell first premiered in Japan, it was greeted as nothing short of a tour de force that would later go on to amass an immense cult following when it was released in the states. In fact it’s fair to say that for a time, Vampire Hunter D had higher awareness among U.S. fans than any anime with the exception of Akira, or one or two other major titles. Ghost in the Shell 2: Innocence is a sharp detour, both visually and conceptually, from the tone and tenor of Oshii’s 1995 classic. It’s typical Studio Ghibli fare, with impeccably rendered matte backgrounds, empathetic characters, a great score, and all of the requisite high-profile voice performances that befit a Disney-licensed production. Ah! It's unclear whether Post Malone is participating in The Pokemon Company's P25 Music project, which features collaborations with various music artists. bracelet 98778? With an intriguing alternative history story that intermingles key figures such as Karl Haushofer and Fritz Lang and events such as the infamous Beer Hall Putsch of 1923, as well as an impressive series of destructive final fight scenes storyboarded by Yutaka Nakamura, Conqueror of Shamballa is a satisfying if irresolute capstone to the original anime and far and away the best Fullmetal Alchemist film to date. 7 et al., final production background, Shuichi Kusamori, poster color on paper, 19 3/4 inches x 27 7/8 inches. Complex truths about aging, marriage, family, and childhood are expressed through these simple tales about particular family members and their trials, tribulations and daily foibles. Only Yesterday was a rarity when it was first released in 1991: an animated drama tailored for adult audiences near-entirely absent of the gloss of magical realism that defined the majority of Studio Ghibli’s (and most of the anime industry’s) work up to that point. multimedia franchise, which was developed by Bushiroad in January 2015. Special credit should be paid to Dana Snyder’s comedic performance as Kawa, as well as Kazuhiro Wakabayashi’s masterful sound direction. Produced almost entirely by Shinkai himself with music composed and performed by long-time friend and collaborator Tenmo, Voices of a Distant Star hones in on the themes of time, space and distance, and how they impact the fragility of human relationships in a way that few other works can, securing Shinkai’s status as one of anime’s premier auteur directors. Galaxy Express 999 started as a manga, then became a 113-episode anime, and culminated in a series of films, of which the self-titled is the first. He also seeks to become Yukina's lover. The usual questions about the cost of war, the price of peace, and human determinism that run through virtually all Gundam series are on full display here. The nature of Miyazaki’s oeuvre is such that it brims with an embarrassment of riches, each film in its own part situated indelibly into the continuum that is the anime canon. Akira is almost singlehandedly responsible for the early 1990s boom in anime in the West, its aesthetic vision rippling across every major art form, inspiring an entire generation of artists, filmmakers and even musicians in its wake. Created by Mushi Productions, the studio behind such classics such Astroboy, Kimba the White Lion and Dororo, and produced by none other than anime patriarch Osamu Tezuka, One Thousand and One Nights was the first installment in what would later come to be known as the Animerama series, a trilogy of thematically linked experimental erotic films created for adult audiences. On paper, this all seems fairly dire, but all of these events are underplayed and lightened by several adorable side characters, from a rogues gallery of mischievous septuagenarian hackers, to Kiyuro’s devoted human nurse, Nobuko. They resolve to find the child’s parents and bring her safely home, embarking on a journey that takes them to every far corner of the city and inevitably face-to-face with lives they had each abandoned. Before his name became synonymous with such titles as Patlabor and Ghost in the Shell, Mamoru Oshii first cut his teeth as an animator directing the television series adaptation of Rumiko Takahashi’s Urusei Yatsura manga and its first two theatrical installments. With mechanical designs courtesy of Makoto Kobayashi, a notable experimental use of live-action footage to simulate Venus’ barren terrain, and a creative staff that consists of a veritable “who’s who” of 1980s anime icons, including character designer Toshihiro Kawamoto of Cowboy Bebop fame, Venus Wars is a memorable film that delivers as a pulp sci-fi adventure on a visual level but manages to be a thoughtful exploration of what it means to watch one’s home transformed into a police state during a time of war. With that being said, despite its shortcomings, Steamboy remains a visually impressive technical achievement in modern animation. However, when a film is this well-animated and put together, the accusation of unoriginality can be forgiven. Toussaint Egan is a culturally omnivorous writer who has written for several publications such as Kill Screen, Playboy, Mental Floss, and Paste. Produced during the boom of anime’s foreign markets, Ninja Scroll was one of the first titles released by Manga Entertainment in the West. The story (inspired by the classic novel A Night on the Galactic Railroad) concerns a distant future where humans have developed the ability to download their consciousness into robot bodies, essentially achieving immortality—but also losing some measure of humanity. That reputation is owed in no small part to him being touted as the heir apparent to the cinematic legacy of Hayao Miyazaki, who formally retired from directing following the release of his then-final film The Wind Rises in 2013. The film follows the hyper-violent misadventures of two amnesiac criminals sentenced to life imprisonment aboard a space penitentiary embedded in the remnants of the moon. Dario Argento’s 1977 giallo classic Suspiria is also cited by fans and critics as a possible spiritual inspiration, though Kon himself denied having seen any of Argento’s films before hearing these comparisons. Along with The Wind Rises, Porco Rosso is one of Miyazaki’s least fanciful films, using real planes, a real location, and set during real events. When Motoko and her team are assigned to apprehend the mysterious Puppet Master, an elusive hacker thought to be one of the most dangerous criminals on the planet, they are set chasing after a series of crimes perpetrated by the Puppet Master’s unwitting pawns before the seemingly unrelated events coalesce into a pattern that circles back to one person: the Major herself. And that’s what it succeeds as a whole in doing—to varying degrees of individual success, of course. Re-released in American theaters for the first time since its 1991 Japanese debut, Only Yesterday is a simple slice-of-life story of one woman’s childhood and her time spent in the countryside as an adult. Gundam series have always been willing to take on discussions about the horrors of war and how mankind, for all its advancements, never seems to be able to free itself from humanity’s baser instincts. Even so, regardless of how one feels about this particular scene, the rest of the film is well worth critical evaluation. ? —J.D. Tekkonkinkreet follows the stories of Black and White, two orphaned thieves and street fighters who “rule” over the metropolitan sprawl known as Treasure Town. The image of Chihiro, having discovered her parents transformed into pigs, running frantically through the streets as the town surrounding her comes to life as lights flicker into existence and spirits rise up from the earth is nothing short of magical. Its well-defined animation, unflinching hyper-violence, and impressively creative fight sequences made it a requisite gateway title for early anime fans and is rightfully looked upon as a cult classic to this day. Related anime: Case Closed Movie: The Time Bombed Skyscraper (1997-04-19, sequel) ... Detective Conan 20th Anniversary Concert Planned for KyoMAF2016 (Aug 23, 2016) Top that off with Katsuya Terada’s richly detailed character designs and beautifully photorealistic backgrounds, and you have an anime film packed with a surprising amount of aesthetic and historical significance considering its lean 48-minute running time. Mirai is Hosoda’s most accomplished film, the recipient of the first Academy Award nomination for an anime film not produced by Studio Ghibli, and an experience as edifying as it is a joy to behold. As the pressures of her new career begin to take their toll, a string of vicious murders perpetrated by a mysterious assailant who claims to be an agent of the “real” Mima begins to encircle the set of her first big role. The sum total of anime cinema from the early ’90s to present day is marked by the precedent of Katsuhiro Otomo’s Akira. After collapsing at school from a fit of asthma, Anna’s foster parents send her to stay with her adoptive aunt and uncle at their idyllic rural seaside home adjourning Kushiro to help her condition. ... Yukako goes in the background until a certain point where she … Shoji Kawamori’s “Shanghai Dragon” is a wild free-wheeling take on Super Sentai hero antics, Yoji Fukuyama’s “Doorbell” is a unsettling and confounding psychological thriller, and Shinji Kimura’s “Deathtic 4” is a bizarre 3D-animated short that’s sure to play well for Tim Burton fans on an aesthetic level. If you were looking for a light, campy and celebratory conclusion, End of Evangelion is not that movie. Paced more deliberately than other Miyazaki films, Porco Rosso comes together for a rousing climax, a beautifully realized dogfight that lives up to the insanely high bar set by Miyazaki’s other flying sequences. What follows is a two-hour high-action adventure between the pair being doggedly chased by pirates, the military and an unscrupulous government agent—all on a quest to find the legendary castle and manipulate its untold treasures and secrets to their own nefarious ends. Though surprisingly non-explicit and unquestionably coded as a children’s comedy film, this aspect might turn off potential audiences from exploring it and perhaps explains why the movie is relatively so unknown even among ardent of Studio Ghibli fans. As an OVA, the animation quality is better than the average TV series of the era, but not up to the level of a theatrical release. If you’re a Ghost in the Shell devotee, Innocence is definitely recommended: a dense excavation into a wellspring of ideas and questions that don’t often come to the forefront of contemporary cyberpunk stories. Summer Wars is pretty much a beat-for-beat remake of Hosoda’s previous work on the second Digimon film, Our War Game, released in 2000. for iOS and Android, which was developed by CraftEgg and published by Bushiroad. Yoshiaki Kawajiri’s “The Running Man” is a grim sci-fi noir short inspired by Blade Runner told from the perspective of a sports reporter who witnesses the final race of Zach Hugh, the fabled star of a deadly racing tournament who slowly develops deadly psionic abilities. A good place to start with Leiji Matsumoto, when you are ready to go beyond Yamato. Case in point: Giovanni’s Island. Koike’s style is unmistakable, with exaggerated silhouettes framed by jagged shadows, extreme focal points, and unrelenting action that recalls the works of Mike Mignola, Frank Miller and Peter Chung. The English dub of One Thousand and One Nights is thought to be lost to the annals of history, with only the film’s original subtitled version to stand as a testament to one of the most bizarre and intriguing experiments in Japanese animation. The film is extraordinary in that it shows the audience, with no uncertainty, that these children will perish and somehow through its hour-and-a-half running time compels the viewer to hope that this fate can be averted. Osamu Tezuka, creator of such seminal manga/anime as Astro Boy, Kimba the White Lion, and Black Jack, is often referred to as “the Walt Disney of Japan,” and for good reason. In 1952, shortly after the post-war animosities between Japan and the West began to dissipate, Toei studio acquired the rights to the story and five years later set out to adapt it into a feature-length film.

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